The Hundred Acre Wood has seen some pretty unsettling things over the years. A honey jar shortage. Rather blustery days. The omnipresent threat of a Heffalump.

But in “Winnie the Pooh: Blood and Honey,” a new microbudget R-rated horror film, Pooh wades into far darker territory than even Eeyore could have ever imagined. After 95 years of saying things like “A hug is always the right size,” Pooh — newly freed from copyright — is now violently terrorizing a remote house of young women.

Countless cherished characters have passed into public domain before, but perhaps never so abruptly and savagely as Pooh.

Pooh, Piglet, Kanga, Roo, Owl, Eeyore and Christopher Robin all became public domain on January 1 last year when the copyright on A.A. Milne’s 1926 book, “Winnie-the-Pooh,” with illustrations by E.H. Shepard, expired. Just a year later, Pooh and Piglet can now be found on a murderous rampage in nationwide movie theaters — a head-spinning development that’s happened faster than a bear could say “Oh, bother.”

Depending on how you look at it, “Winnie the Pooh: Blood and Honey” is either a crass way to capitalize on a beloved bear or an ingenious bit of independent filmmaking foresight. Either way, it’s probably a harbinger of what’s to come.